![]() This is kind of like - probably pulled from my own anxieties of being a father and realizing, yeah, you got to man up sometimes.” “Hi. ![]() Really trying to subliminally signal to the audience that this sort of relentless, real time event has begun and is taking place.” “Wait, wait, wait, just one sec - Gabe.” “So we see Gabe leave. When we get into this moment where the four family members are standing holding hands outside, then we go into this sort of fluid - we use a lot of the Steadicam with very few edits. The movie before this has been going from some time dashes here and there. One of the techniques that I utilized to get that terror was that all of a sudden we go into real time. Jason, of course, says “there’s a family in our driveway.” A line designed, giddily, to attempt to be an iconic line, like “they’re here” from the “Poltergeist” movie and sort of help congeal this sense of an Amblin-esque predicament with a black family in the center of it.” - “What?” “Zora, give me your phone.” “I’m not on it.” “Zora!” “This is the point in the movie where I want the terror to really kick into a new gear for the audience. I’m the writer, producer, and director of the movie “Us.’” “There’s a family in our driveway.” “So here we have the scene where the tethered family arrives at the Wilson house for the first time. ![]() Transcript ‘Us’ | Anatomy of a Scene Jordan Peele narrates a sequence from his film.
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